9/15/2012

Cinematography: Fallen Angels

FALLEN ANGELS (1995)
Director: Wong Kar-wai
Cinematographer: Christopher Doyle

Having made visually stunning films together, Wong Kar-wai and Christopher Doyle are easily one of the best creative teams in the film industry. 2046, Ashes of Time, In the Mood for Love, Chungking Express, and Fallen Angels are just some of their best collaborations.

In Fallen Angels — WKW's splendid take on loneliness, melancholy, and undeclared love — Doyle had quite a big challenge: the film had only one day scene, so he had to make the most out of the night scenes, which he filmed in such a charming way.


Urban Hong Kong

9/14/2012

Favorite Movie Moments: Jackie Brown




The final shot of 1997's Jackie Brown shows a close-up of Pam Grier's face, looking rather heartbroken while lip synching Bobby Womack's Across 110th Street. Driving away from a love that could have been, Jackie Brown (played by Grier) sings along the lines:

9/05/2012

Cassavetes on Screenwriting


(Image source here.)


In 1953, John Cassavetes knew practically nothing about writing. Sam Shaw decided to help him by introducing him to Edward McSorley, a novelist, who gave him a crash-course in screenwriting. Cassavetes said that McSorley taught him the three most important things he knew:

8/24/2012

Fave Movie Moments: 2001: A Space Odyssey




Stanley Kubrick's 2001: A Space Odyssey is considered by many as one of the most beautiful and transcendent — if not flawless — films of all time. Deeply cerebral and photogenic, Kubrick's 1968 oeuvre is utterly mesmerizing on many levels. (If I say too much, I might spoil the film's beauty; so please check it out if you still haven't.)

One of my most favorite moments in 2001: A Space Odyssey is its ending, which is mindf*ck at its most orgasmic. I've always thought that Kubrick's film is two films in one; you just have to watch it again right after your first viewing.



8/15/2012

A Song from My Childhood


"Unhappiness where's when I was young, and we didn't give a damn."



ODE TO MY FAMILY
Samuel Bayer, 1994

Doo, doo, doo, doo, doo, doo, doo, doo... ♪

I wouldn't forget that tune. It's from The Cranberries' hit single Ode to My Family, an intimate ballad that reminds me of the olden days, when things are simple yet fun.

7/25/2012

Starring Jodhi May

Okay. So I've been procrastinating lately, and this article has long been overdue. Waaay too long. Anyway, Jodhi May's 37th birthday was on the 1st or 8th of May, although some sources claim that she was born on the 30th of November 1974.

"Jodie" who? Jodhi May. Most audiences outside the UK might not be familiar with her because she mainly works in England, a serious actress usually seen in period dramas. Some of her films include The Last of the Mohicans, Flashbacks of a Fool, and Tipping the Velvet (if you're a gay woman, you've probably heard of this one).

If there's one actress who could blow you away with a mere glance, it had to be Jodhi. She's one of the few actresses whose eyes exude an intense amount of raw passion. You can see and feel her emotions through her eyes. That's a rare quality in an actor. And Jodhi is indeed one of the rare talents I've seen onscreen.

Here are my top five performance by Miss Jodhi:


1. Tipping the Velvet (2002)




7/03/2012

Fave Movie Quotes: Faster, Pussycat! Kill! Kill!




Tommy: Look, I don't know what the hell your point is, but—
Varla: The point is of no return and you've reached it!



6/21/2012

Cinematography: Le Havre

LE HAVRE (2011)
Director: Aki Kaurismäki
Cinematographer: Timo Salminen


There's a longing that burns you. You'll have to return to the only life you'll ever know.

Those are the first lines of The Renegades' Matelot, a song that can be heard during the opening credits of Aki Kaurismäki's Le Havre. Kaurismäki's latest film is a minimalist yet compelling portrait of humanity. For me, the song gives the film a sense of melancholy and nostalgia. What makes the film more melancholic is Timo Salminen's irresistible cinematography. Salminen's work is composed of dramatic lighting, which is often accompanied by his elaborate use of silhouettes.


Le Havre in blue.

6/07/2012

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